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Women have long been shouting about the fucked-up power dynamics of pop-punk and third-wave emo, which have continued into the present—the allegations against Front Step Porch’s predatory singer Jake Mc Elfresh in 2015 almost mirror the ones against Lacey.People are now listening because they have been cornered. “I’m hoping that with this coming out, it opens the door for people really looking out for women in our scene,“ Emily Driskill, one of Lacey’s alleged victims, told Pitchfork.“So many songs celebrate the objectification of women in one way or another, so we normalize it,” says Jackee Sadicario, whom I met on a Straylight Run Yahoo! “We say the content is fiction, the production of someone toiling with their deep-rooted emotions. We can’t turn the truth off, and just a few weeks after I sang along with the new songs from live, I can’t listen to the album.” We begin staring down the question of how to untangle our memories—the faces and scenes and processes of our lives—from the lyrics and riffs and beats they inhabit, from the grim realities that are only now being pried out of hiding.When Ellisa Keller, who I met on Livejournal, experienced the death of one of her childhood best friends earlier this year, she listened to Brand New “religiously” to feel close to her.
But Straylight Run was the exception to the rule in a scene that hardly represented young women.Participating in the Long Island music scene of the mid-2000s changed my life—because it introduced me to the concept of an underground, to shows in practice spaces and temples and VFW halls, but more to the point because it ultimately repulsed me.Reading the graphic testimonies of the women who have come forward, I recalled the male arrogance, condescension, and entitlement that always seemed to hang in the air at third-wave emo shows on Long Island.Again, please keep their identity a secret Click on the "Continue" button search with your zip/postal code.Earlier this year, as Brand New was on the cusp of releasing a new record, I asked my male coworkers to Google the words “Brand New date rape song.” We were considering awarding Brand New’s fifth album the distinction of Best New Music, and I wanted my peers to be clear about this unsettling aspect of the band’s history. It goes, “I got desperate desires and unadmirable plans/My tongue will taste of gin and malicious intent/Bring you back to the bar/Get you out of the cold/My sober straight face gets you out of your clothes.” Lacey later sings such biting lines as “I almost feel sorry for what I’m gonna do” and “If you let me have my way I swear I’ll tear you apart.” Of course, Lacey has denied that these lyrics are autobiographical, claiming that he was describing a nightmare he feared; only a monster would accept these thoughts as his own.